Two actors who spent many years studying the art of the Russian-speaking diaspora have themselves unexpectedly left their homeland. They now look at long-familiar works from an entirely different perspective — and are certain that every audience member will find in these pages understanding, support, and perhaps even comfort.
Based on the play by Leonid Zorin
Moscow, 1946. A Soviet student, Viktor, and a Polish student, Helena. It all seems simple — they like each other. It is all complicated — Soviet law forbids marriages with foreign nationals.
Zorin's play is twenty years compressed into two hours. Meetings that grow ever shorter. Conversations in which more and more goes unsaid. A story not about betrayal or falling out of love — but about how political circumstances make decisions on behalf of people.
Based on the short story by Anton Chekhov
Yalta. Two people who were not supposed to fall in love. He is married, she is married, both are weary of their lives. A summer at the resort, the sea, a little dog — and something that afterwards proves impossible to shake off.
Chekhov wrote the story without an ending — because a story like this has no neat conclusion. There are only two people who can no longer live as they once did.
Marina Goncharova has adapted Chekhov's prose for the stage, adding nothing superfluous — only what is already there.